The talented musician, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.
Together with vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of electronic music.
He later formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's Swamp Thing.
Ball died calmly in his sleep at his residence in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.
Recent Health Challenges
During that show, Ball appeared in a mobility chair, as he had for the last two years, following a period of ill-health.
"I ended up damage myself significantly," he commented in a recent interview. "I broke lower vertebrae in my back and fractured about five ribs and broke my wrist."
Following catching a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and remained in hospital for half a year.
Nevertheless, he had been in "a great place mentally" over the warmer months, as he was developing a fresh record with Almond, called Danceteria, which is scheduled for publication next year.
"He was concentrated and very pleased with the new album that we literally finished only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as 2026 was all set to be such an positive year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Tributes
Almond described his bandmate as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.
"Many thanks Dave for being an immense aspect of my life and for the songs you gave me. I wouldn't be where I am without your influence."
His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".
"Being in a duo with someone is distinct from joining a band, the connection is very tight," he added.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences as a team. Thank you, Dave."
Early Life
Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.
He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his given name from his birth name to David, alongside his sibling his sister, who was also adopted.
He met Almond at an art college in the late 70s, where they were both learning art. Inspired by a mutual passion of a music genre, they formed Soft Cell the same year, and promptly recorded an EP.
Musical Partnership
The pair were an distinctive pairing: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all sparkle and makeup; but they achieved a rare musical alchemy.
Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was writing.
Their signature song became the UK's second most popular single of 1981, shifting 21 million copies worldwide. Together with successful tracks by other artists, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 80s.
The song was also featured on their full-length debut, their initial LP, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the stand-alone single, Torch, which peaked at number two in 1982.
Professional Journey
Fame had its upsides. "I enjoyed being able to purchase my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a publication.
But it also caused problems. "Sudden riches allowed we could purchase newfound drugs to relieve the monotony" of press appearances and television shows, Ball explained.
"I realize that's a common saying, but it's a truism for a valid cause, because it applies for so many musicians."
Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.
They released another album, 1984's This Last Night In Sodom, before dissolving the band to focus on individual endeavors.
Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting collaboration.
Reunions and Final Projects
Soft Cell came back together in 2001, releasing the Top 40 album Cruelty Without Beauty.
Following another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, 2018.
However, they remained together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.
Ball recently described the band's new album as a homage to the NYC nightlife they frequented while recording their initial records.
He added that his period in medical care had shaped the band's sound.
"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."
The final mixes were completed only a short time before Ball died. It is scheduled for release in Spring 2026.