“Well, it’s rather brutal here. Our recommendation is all of our clients to put everything they’ve got into canned food and shotguns.” That bit of sage advice comes from the Brain Gremlin – a genetically modified, articulate, spectacled member of the oozy monster mob that swarms Manhattan’s high-tech Clamp Tower skyscraper in helmer Joe Dante’s madcap sequel Gremlins 2: The New Batch. Superficially, it’s simply an portfolio pointer from one monster to another. Yet, in a strange manner, it’s also remarkably sound life advice. Truly, consider my perspective.
When situations deteriorate, the biggest mistake you can do is approach matters with excessive gravity. The Brain Gremlin comprehends this. Indeed, a large portion of the toothy monsters that inhabit Dante’s chaotic 1990 feature (debateably his greatest) possess the same sly, self-aware funny bone regarding the indistinct border separating daily routine and pure pandemonium. It’s a single component of Gremlins 2: The New Batch that keeps me coming back – and the older I get, it’s the underlying idea that echoes the loudest.
Of course, my connection with this movie wasn’t born on such an deeply thoughtful note. Growing up, we possessed merely a few scratched-up video tapes at home. Included within that collection were Gremlins and its second chapter, the latter housed in a bulky previously-rented case probably bought from an non-chain rental store and boasting snarling creatures on its tattered front. I was immediately enamoured and these films quickly proceeded inserting themselves inside my tiny, impressionable mind. From then on, they became an near-everyday part of my early years entertainment regimen.
Dante’s first film usually receives all the plaudits, thanks mostly because of its status as a partly frightening holiday classic – and let me be clear, I’ve watched Gremlins an incalculable number of times. However, its successor seldom receives the same level of high regard, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d retreat into the house and play it. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Gradually, it ingrained itself in my mindset. If my parents observed this fixation, they appeared unbothered.
As I grew, new understandings rewarded repeat viewings, amplifying the pleasure of watching small emerald creatures joyously wreck a New York high-rise. I learned the future-focused real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by future president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) alluding to his second wife Marla Maples. Luckily, Clamp possesses greater compassion than his actual-world equivalent.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a actual “Doomsday” video commissioned by the CNN boss Ted Turner as a contingency for the world truly faced apocalypse. I noticed how Dante went out of his way to film different iterations of a meta sequence where Gremlins hijack the exact movie you are viewing. A version for theaters, a separate one for tape and broadcast, each delivering a smirking slice of meta pop-culture magic before the term was even a thing.
While it was creature designer Rick Baker’s gloriously nasty-looking creatures that caught my eye as a child, this subsurface richness kept me hooked as an adult. Eventually, I even conversed with Dante about it myself and he had no hesitation telling me he made the movie with the express purpose of mocking those who loved its silly-yet-sincere predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This anarchic defiance and commitment to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only deepened my appreciation further.
When I experienced a abrupt familial death not long ago, I was surprised to find that, during my most profound sorrow, all I desired to do was sit and watch Gremlins 2: The New Batch. Weird, right? Maybe not. The nostalgic calm it furnished was needed to weaken my mind’s grief morass – but the stuff it had given me as an adult were equally valuable.
Like Gremlins tearing apart a genetics laboratory, there’s certain elements in life you just are powerless over. Dante understands this. The Brain Gremlin agrees completely. Sometimes, you have to be like them: welcome the pandemonium, commit your entire being into tinned provisions and hunting rifles and try not to take things too seriously.
It’s strong life advice from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.
A tech enthusiast and IT consultant with over 8 years of experience in digital solutions and cybersecurity.